1,861 Royalty-Free Audio Tracks for "Dominant Seventh Flat Five Chords"

Secondary leading-tone chord: viio7/V - V in C major. Created by Hyacinth (talk) 05:18, 23 May 2010 using sibelius 5.

Seventh suspension four chord on C. Created by Hyacinth (talk) 20:28, 31 May 2011 (UTC) using Sibelius 5.

G7alt chord.

Dominant thirteenth chord (V13) in F major (C E G B♭ D).

Viennese trichord as dominant. Created by Hyacinth (talk) 21:31, 4 July 2010 using Sibelius 5.

Major seventh chord on F.

Diminished seventh chord on C

Seventh augmented fifth chord on C.

Common-tone diminished seventh chord.

Chord progression (half note open guitar chords) for the widely recorded ragtime influenced song written in 1923 by Jimmy Cox, "Nobody Knows You When You're Down and Out". It features chromaticism through chains of secondary dominants (III = V/V/V/V = V/vi, VI = V/V/V = V/ii, II = V/V, and V) and a secondary diminished seventh chord (viio7/V=♯IVo7).

Half-diminished seventh chord on C

Common-tone diminished seventh chord (♯vio42, in D major: b♯o7) in Tchaikovsky's Nutcracker Suite, op. 71a, III, Valse des Fleurs, mm.1-4.

Leading-tone diminished seventh chord as dominant in Mozart's Don Giovanni, K. 527, Act I, Scene XIII, mm.116-117.

Dominant form chord: Dominant flat ninth chord preceding tonic chord and possessing a primary dominant function.

Diminished seventh chord on B.

Harmonic seventh chord on C. Equal tempered major chord with quarter tone flat minor seventh (950 cents). Created by Hyacinth (talk) 18:56, 10 November 2011 with Sibelius 5.

Leading-tone seventh chord in C minor.

Minor seventh chord on e iii7 in C.

Minor major seventh chord on IV in C. Created by Hyacinth (talk) 11:19, 1 July 2011 (UTC) using Sibelius 5.

Sharpened subdominant with diminished seventh chord in C.

Fifteenth chord from Perry on C

Dominant form chord: Dominant ninth chord preceding tonic chord and possessing a primary dominant function.

Leading-tone seventh chord in C major.

Half-diminished seventh chord on sharpened supertonic in C.

Half-diminished seventh chord on sharpened subdominant in C.

Common-tone diminished seventh chord in 'In the Good Old Summertime', Strictly Barbershop, S.P.E.B.S.Q.S.A. (Barbershop Harmony Society), Folio 6049.

Chord progression with diminished seventh chords added, without chords added yet.

Full diatonic fifteenth chord from Listz on B

Chord progression with diminished seventh chords added.

Augmented dominant seventh chord on C

Secondary half-diminished leading-tone chord in Brahms Op. 119, no. 3, mm.49-51.

Just minor seventh chord (48:40:32:27) on C.

Just minor seventh chord on C.

John Stepan Zamecnik's 1913 composition Mysterioso - Burglar Music 1, which appeared in Sam Fox Moving Picture Music volume 1.

Dominant minor ninth chord on C: C,E,G,Bb,Db. Created by Hyacinth (talk) 23:07, 14 December 2011 (UTC) using Sibelius 5.

Augmented major seventh chord on C

Minor major seventh chord on C.

Diminished seventh chord as incomplete ninth in C.

V of V chord progression in "Sweet Georgia Brown". V/V/V-V/V-V-I: A-D-G-C. Note that the tempo is kept but the number of measures is cut in half.

Dominant eleventh chord in four-part writing.

Shuffle pattern with staggered thirds played on piano.

Leading-tone seventh chord in baroque composer Élisabeth Jacquet de La Guerre's 1707 Pièces de clavessin, book 2, "Sarabande", mm.21-8 (ending).

Leading-tone seventh chord often serves a dominant function. This example is from Mozart's K. 283 III, mm. 64-69.

Dominant 9th chord from "Hommage a Rameau" by Claude Debussy.

Eb major triad, MIDI file

Quartal chord on A equals thirteenth chord on B♭, distinguished by the arrangement of chord factors. Created by Hyacinth (talk) 13:55, 13 October 2010 using Sibelius 5.

Beethoven Appassionata 3 final bars of Andante

Leading-tone half-diminished seventh chord as dominant in Mozart, Piano Sonata in D Major, III (end of Variation V), K. 284, mm.14-17.

Arbitrary example to quickly show variation in musical dynamics.

Fifteenth chord from Marpurg on A: A,(C,E,)G,B',D',F',(A"). Resolves to C,E,G,C',E'.